Ian Saunders
Biography Credits Contact Details
Biography
Ian studied at Rose Bruford College and since graduating he has designed the lighting for various scales of shows throughout the UK ranging from regional repertory theatre, through fringe theatres and also including touring shows. The styles of shows are just as varied whether they are straight plays, musicals, opera, comedy or site specific theatre in a department store, nightclub or tent.
He has also been the Associate Lighting Designer for the National Theatre production of 'An Inspector Calls' as produced by PW Productions between 2005 & 2015 where he has re-created Rick Fisher's award winning lighting design for three UK Tours, and Australian tour and two West End Seasons (2009/10).
More information about my personal or professional identity:
View my CV:
Specialisms
Theatre:
- Commercial Tour
- Regional (Main House)
- Regional (Studio)
- Fringe / Pub Theatre
- Touring relights
Musical:
- Regional (Main House)
- Regional (Studio)
Opera:
- Small scale
Dance:
Concert:
Corporate:
- Exhibition Stands
- Fashion Shows
- Award Ceremonies
Architectural:
- Displays & Art
Non-professional:
- Musicals
- Plays
Education:
Availability
Company:
Previous productions
| Show name | Type | Venue/Company | Role | Creative Team | Opened | |
|---|---|---|---|---|---|---|
| Oh What A Lovely War! | Theatre |
Arts University Bournemouth Film Studio
Arts University Bournemouth |
Lighting Designer | |||
| Bonnie and Clyde - The Musical | Musical |
Bernie Grant Arts Centre
Mountview Academy |
Lighting Designer |
Director: Tim Luscombe Set designer: Colin Mayes |
||
| Oh What A Lovely War! | Theatre |
Lighthouse, Poole
Arts University Bournemouth |
Lighting Designer |
Director: Kenneth Robertson Set designer: Sylvain Perez-Jacobs |
||
| The Importance of Being Earnest | Theatre |
Ivy Arts Centre, University of Surrey
Guildford School of Acting |
Lighting Designer |
Director: Jaq Bessell Set designer: Neil Irish |
||
| Les Miserables | Theatre |
Ivy Arts Centre, University of Surrey
Guildford School of Acting |
Lighting Designer |
Director: Jonathan Holloway Set designer: Neil Irish |
||
| Half a sixpence | Musical |
Bernie Grant Arts Centre
Mountview Academy |
Lighting Designer |
Director: James Powell Set designer: Colin Mayes |
||
| Jerry Springer The Opera | Musical |
Electric Theatre, Guildford
Guildford School of Acting |
Lighting Designer |
Director: Charlotte Conquest Set designer: Colin Mayes |
||
| Nicholas Nickleby | Theatre |
Ivy Arts Centre, University of Surrey
Guildford School of Acting |
Lighting Designer |
Director: Jonathan Holloway Set designer: Neil Irish |
||
| Don Juan Comes Back From The War | Theatre |
Ivy Arts Centre, University of Surrey
Guildford School of Acting |
Lighting Designer |
Director: Xavier Leret Set designer: Nicolai Hart-Hansen |
||
| Spring Awakening | Musical |
Ivy Arts Centre, University of Surrey
Guildford School of Acting |
Lighting Designer |
Director: Charlotte Conquest Set designer: Neil Irish |
||
| Iolanthe | Theatre |
Watford Palace Theatre
Abbots Langley G&S Society |
Lighting Designer | |||
| Jack and the Beanstalk | Theatre |
Watford Palace Theatre
|
Lighting Designer |
Director: Kate Saxon Set designer: Cleo Pettitt |
||
| A Little Night Music | Musical |
Bernie Grant Arts Centre
Mountview |
Lighting Designer |
Director: Jacqui Somerville Set designer: Mia Flodquist |
||
| The Best Little Whorehouse in Texas | Musical |
Electric Theatre, Guildford
Guildford School of Acting |
Lighting Designer |
Director: Tim Flavin Set designer: Roger Ness |
||
| Terrorism | Theatre |
Electric Theatre, Guildford
Guildford School of Acting |
Lighting Designer |
Director: Ken McClymont Set designer: Ken McClymont |
||
| The Full Monty | Musical |
Watford Palace Theatre
Watford Operatic Society |
Lighting Designer | Set designer: Scenic Projects Ltd | ||
| Krunch | Theatre |
The Albany, Deptford, then touring
Talawa Theatre Company |
Lighting Designer | Set designer: Susannah Henry | ||
| Nine - The Musical | Musical |
Bellairs Playhouse
Guildford School of Acting |
Lighting Designer |
Director: Marilyn Cutts Set designer: PJ McEvoy |
||
| Buried Child | Theatre |
Cockpit Theatre, London
Mountview |
Lighting Designer |
Director: Richard Vincent Set designer: Caroline Reid |
||
| Trial By Jury | Musical |
Watford Palace Theatre
Abbots Langley Gilbert & Sullivan Society |
Lighting Designer |
Director: Clive Bebee |
||
| HMS Pinafore | Musical |
Watford Palace Theatre
Abbots Langley Gilbert & Sullivan Society |
Lighting Designer |
Director: Clive Bebee |
||
| Rapunzel (or the Magic Pig) | Theatre |
The Mirror Tent at BMW Oxford
Creation Theatre Company |
Lighting Designer |
Director: Charlotte Conquest Set designer: Lucy Wilkinson |
||
| Her Naked Skin | Theatre |
Bellairs Playhouse
Guildford School of Acting |
Lighting Designer |
Director: Peter Harris Set designer: Tina Gardiner |
||
| Beauty and the Beast | Non-professional |
Watford Palace Theatre
Watford Operatic Society |
Lighting Designer |
Director: Alan Cox Set designer: Scenic Projects Ltd |
||
| The Country Wife | Non-professional |
New Wolsey Theatre, Ipswich
Suffolk Youth Theatre |
Lighting Designer |
Director: Michael Platt |
||
| Frogs | Non-professional |
Arlington Arts Centre, Newbury
St Gabriels Schools, Newbury |
Lighting Designer |
Director: Sue Baxter |
||
| Dracula | Theatre |
Lighthouse Theatre, Poole
Arts University College Bournemouth |
Lighting Designer |
Director: Ellie Nixon Set designer: Bruno Santini |
||
| Beauty and the Beast | Theatre |
Mirror Tent, BMW Oxford
Creation Theatre Company |
Lighting Designer |
Director: Sarah Punshon Set designer: Rachel Canning |
||
| Sweeney Todd | Non-professional |
Alban Arena - St. Albans
St. Albans Operatic Society |
Lighting Designer |
Director: Alan Cox Set designer: Scenic Projects Ltd |
||
| Krunch | Theatre |
Bernie Grant Arts Centre, Tottenham
Talawa Young People's Theatre |
Lighting Designer |
Director: Amani Naphtali Set designer: Rajha Shakiry |
||
| The Mikado | Non-professional |
Watford Palace Theatre
Abbots Langley G&S Society |
Lighting Designer | |||
| Hans Christian Andersen's Magical Tales | Theatre |
Mirror Tent at BMW Oxford
Creation Theatre Company |
Lighting Designer |
Director: Caroline Leslie Set designer: Tom Rogers |
||
| The Baby | Theatre |
Academy of Live & Records Arts |
Lighting Designer |
Director: Glen Walford |
||
| Children of Eden | Non-professional |
Leatherhead Theatre
Stagecoach Theatre Arts |
Lighting Designer |
Director: Erica Lawrence |
||
| Make Love, Not War? | Theatre |
Drill Hall, London
Talawa Young People's Theatre |
Lighting Designer |
Director: Thierry Lawson Set designer: Lise Marker |
||
| A Night Out | Theatre |
Electric Theatre, Guildford
Guildford School of Acting |
Lighting Designer |
Director: Ken McClymont Set designer: Roger Ness |
||
| Serious Money | Theatre |
Electric Theatre, Guildford
Guildford School of Acting |
Lighting Designer |
Director: Gari Jones Set designer: Roger Ness |
||
| Chess | Non-professional |
Watford Palace Theatre
Watford Operatic Society |
Lighting Designer |
Director: Alan Cox Set designer: Scenic Projects Ltd |
||
| Woyzeck | Theatre |
Southwark Playhouse
Carboard Citizens |
Lighting Designer |
Director: Adrian Jackson Set designer: Fred Meller |
||
| Twelfth Night | Theatre |
The Theatre, Chipping Norton
Oxford School of Drama |
Lighting Designer |
Director: George Peck Set designer: Sophie Jump |
||
| Ruddigore | Musical |
Watford Palace Theatre
Abbots Langley G&S Society |
Lighting Designer |
Director: Linda Dyne |
||
| The Importance of Being Earnest | Theatre |
Trestle Arts Base, St. Albans, then touring
OVO |
Lighting Designer |
Director: Adam Nichols |
||
| State Fair | Musical |
Main Theatre, Arts Educational
Arts Ed |
Lighting Designer |
Director: Robert Howie Set designer: Tim McQuillan Wright |
||
| Charity Wars | Theatre |
Pleasance, London
StoneCrabs Productions Ltd |
Lighting Designer |
Director: Natascha Metherell Set designer: Richard Andrzejewski |
||
| Annie | Non-professional |
Watford Palace Theatre
Watford Operatic Society |
Lighting Designer |
Director: Alan Cox Set designer: Owen Williams |
||
| Hello Again | Theatre |
Crescent Theatre, Birmingham
Birmingham School of Acting |
Lighting Designer |
Director: Sarah Chew Set designer: David Crisp |
||
| O Go My Man | Theatre |
Crescent Theatre, Birmingham
Birmingham School of Acting |
Lighting Designer |
Director: Natalie Wilson Set designer: David Crisp |
||
| The Gondoliers | Theatre |
Watford Palace Theatre
Abbots Langley G&S Society |
Lighting Designer |
Director: Mike Monk |
||
| Timon of Athens | Theatre |
Shakespeare Centre,Stratford upon Avon, then touring
Cardboard Citizens / RSC |
Lighting Designer |
Director: Adrian Jackson Set designer: Fred Mellor |
||
| Inglorious Technicolour | Theatre |
McCarthy Auditorium
Stephen Joseph Theatre, Scarborough |
Lighting Designer |
Director: Laurie Sansom Set designer: Philip Witcomb |
||
| Kiss Me Kate | Non-professional |
Watford Palace Theatre
Watford Operatic Society |
Lighting Designer |
Director: Alan Cox Set designer: Martin Smith |
||
| Titanic : The Musical | Musical |
Electric Theatre, Guildford
Guildford School of Acting |
Lighting Designer |
Director: Gerry Tebbutt Set designer: David Collis |
||
| The Wizard of Oz | Musical |
New Theatre, Oxford
Pele Productions |
Lighting Designer |
Director: David Fleeshman Set designer: Scenic Projects Ltd |
||
| Fiddler on the Roof | Non-professional |
Watford Palace Theatre
Cassio Operatic Society |
Lighting Designer |
Director: Nikki Scott Set designer: Martin Smith |
||
| Into The Woods | Musical |
The New Players Theatre, London
Mountview Academy of Theatre Arts |
Lighting Designer |
Director: Ken Caswell Set designer: Susannah Henry |
||
| The Shy Gas Man | Theatre |
Southwark Playhouse
Sweetheart Productions |
Lighting Designer |
Director: Garry Cooper Set designer: Chloe Lamford |
||
| Anne of Green Gables | Theatre |
Bellairs Playhouse
Guildford School of Acting |
Lighting Designer |
Director: William Renton Set designer: Roger Ness |
||
| The King and I | Non-professional |
Watford Palace Theatre
Cassio Operatic Society |
Lighting Designer |
Director: Nikki Scott Set designer: Elly Rogers |
||
| Grass Is Always Greener | Theatre |
Studio 1, Battersea Arts Centre
Al & Joe |
Lighting Designer | |||
| The Smallest Person | Theatre |
Pod Deco, Edinburgh Festival Fringe, then touring
Trestle Theatre Company |
Lighting Designer |
Director: Emily Gray Set designer: Tim Meacock |
||
| The Ring Road Tales | Environmental |
Destiny Nightclub, Watford
Palace Theatre, Watford |
Lighting Designer |
Director: Kirsty Davis Set designer: Chloe Lamford |
||
| Lucia di Lammermoor | Opera |
Devonshire Park, Eastbourne, then touring
New Sussex Opera |
Lighting Designer |
Director: Michael Ruta-Moxham Set designer: Jason Southgate |
||
| News From the Seventh Floor | Environmental |
Clements Department Store, Watford
Wilson & Wilson |
Lighting Designer |
Director: Wils Wilson Set designer: Louise Wilson |
||
| Macbeth | Theatre |
Corn Exchange, Newbury, then touring
Young Shakespeare Company |
Lighting Designer |
Director: Christopher Geelan Set designer: Bridget Kimak |
||
| Il Cappello di Paglia di Firenze | Opera |
Cochrane Theatre, London
Trinity College of Music |
Lighting Designer |
Director: Michael Ruta-Moxham Set designer: Jason Southgate |
||
| The Importance of Being Earnest | Theatre |
Manchester Library Theatre, then touring
Lip Service |
Lighting Designer |
Director: Lawrence Till Set designer: Richard Foxton |
||
| Cor Blimey | Theatre |
Palace Theatre, Watford
|
Lighting Designer |
Director: Lawrence Till Set designer: Richard Foxton |
||
| The Brick | Theatre |
Man In The Moon Theatre
|
Lighting Designer |
Director: Michael Ruta-Moxham Set designer: Jason Southgate |
||
| Three Steps To Heaven | Musical |
Palace Theatre, Watford |
Lighting Designer |
Director: Clifford Milner Set designer: Rebecca Janaway |
||
| Talent | Theatre |
Mercury Theatre, Colchester, then touring
|
Lighting Designer |
Director: Joanna Read Set designer: Nancy Surman |
||
| Passport to Danger | Theatre |
Palace Theatre Watford
|
Lighting Designer |
Director: Laurie Sansom Set designer: Matt Walker |
||
| Burglar Beware | Theatre |
Rose & Crown Theatre, Hampton Wick
Grip Theatre Company |
Lighting Designer |
Director: Steve Canny Set designer: Stuart Howcraft |
||
| Gaffer | Theatre |
Rose & Crown Theatre, Hampton Wick
Grip Theatre Company |
Lighting Designer |
Director: Martin Richards Set designer: Max Scianna |
||
| Darkness Falls | Theatre |
Palace Theatre Watford
|
Lighting Designer |
Director: Giles Croft Set designer: Nick Sargent |
||
| Love Bites | Theatre |
Palace Theatre, Watford, then touring
Palace Theatre Watford Education Dept |
Lighting Designer |
Director: Bernadette Moran Set designer: Fiona Watt |
||
| Wait Until Dark | Theatre |
Palace Theatre Watford
|
Lighting Designer |
Director: Giles Croft Set designer: Neil Irish |
||
| It's Now Or Never | Theatre |
Chester Gateway Theatre |
Lighting Designer |
Director: Jeremy Raison Set designer: Jessica Tyrwhitt |
||
| The Traitor | Theatre |
Bridewell Theatre, London
606 Theatre Company |
Lighting Designer |
Director: Gordon Anderson Set designer: Tom Hadley |
Company:
| Contact method | Details |
|---|---|
| Email address | iansaunders@west15.co.uk |