Malcolm Rippeth
Biography
Malcolm's work in theatre, opera and dance can be seen throughout the UK and worldwide.
His 2025/26 schedule includes North by Northwest (Wise Children UK tour); Gary Oldman's Krapp's Last Tape (York Theatre Royal); The Last Stand of Mrs. Mary Whitehouse (Nottingham Playhouse); Future Cargo (Greek National Opera Ballet); Peter Grimes (Welsh National Opera); Salome (Teatro Massimo Palermo); Die Walküre and The Turn of the Screw (Santa Fe Opera); Cinderella (La Cenerentola) (English National Opera); The Marriage of Figaro (Opera North); Parsifal (Semperoper Dresden).
A full credits list is available by following the link above.
He was awarded the WhatsOnStage Award for Best Lighting Designer for his work on Brief Encounter and Six Characters in Search of an Author in the West End and a Village Voice OBIE as a member of the design team for Brief Encounter at St. Ann's Warehouse, New York. He was nominated for an Outer Critics Circle Award for Brief Encounter on Broadway; for a 2016 Los Angeles Drama Critics Circle Award for Tristan and Yseult; for the 2017 New York Drama Desk Award for Outstanding Lighting Design of a Musical for 946: The Amazing Story of Adolphus Tips; in 2018 for an OFFIE for Songs for Nobodies at Wilton's Music Hall and a Knight of Illumination Award for Falstaff at Garsington Opera; in 2019 for a Knight of Illumination Award for The Turn of the Screw at Garsington; and in 2021 was a finalist in the OFFIES for Afterplay at the Coronet.
From 2016 to 2017 he was responsible for the design of the temporary lighting installation at Shakespeare's Globe in London, and lit many shows both there and in their indoor Sam Wanamaker Playhouse including A Midsummer Night's Dream, Twelfth Night, Boudica, The Secret Theatre and Romantics Anonymous.
He collaborated with Kneehigh Theatre for twenty years, and was an Associate Artist of the company. Designs include Brief Encounter (West End and Broadway); Wah! Wah! Girls and The Umbrellas of Cherbourg (West End); The Flying Lovers of Vitebsk, Tristan and Yseult, 946: The Amazing Story of Adolphus Tips, The Wild Bride, The Red Shoes (all UK, USA); Dead Dog in a Suitcase (and other love songs) (Korea, New Zealand, Colombia, Shanghai); The Tin Drum, Nights at the Circus, Don John, FUP and Cymbeline.
Other recent theatre work includes My Brilliant Friend (National Theatre Olivier); Bagdad Cafe (The Old Vic); Songs for Nobodies (West End/Sydney Opera House); The MIrror Crack'd (NCPA Mumbai); Captain Corelli's Mandolin (West End); Wise Children (Old Vic & UK tour); The Merry Wives of Windsor, Titus Andronicus, The Empress (Royal Shakespeare Company); The Gretchen Question (Fuel); Hamlet (Bristol Old Vic); Betty! A sort of Musical (Manchester Royal Exchange); Future Cargo (Requardt and Rosenberg); SOLAR - Klangwolke 2019 (Donaupark Linz); The Seven Pomegranate Seeds, Good Canary (Rose Theatre Kingston); Afterplay (Coronet Theatre); The Boy in the Striped Pyjamas (Chichester Festival Theatre/Children's Touring Partnership); Decade, Spring Awakening, Six Characters in Search of an Author (Headlong); Only the Brave (Wales Millennium Centre); Moon Tiger (Theatre Royal Bath); The Threepenny Opera (Graeae); God of Chaos (Drum Theatre Plymouth); Ours Was the Fen Country (Still House); The Promise (Donmar at Trafalgar Studios); London (Paines Plough); Belong, The Acid Test, Spur of the Moment and Kin (Royal Court); His Dark Materials (Birmingham Rep); HMS Pinafore (Guthrie Theater Minneapolis); The Pitchfork Disney (Arcola); A Very Old Man with Enormous Wings (Little Angel Theatre); Stones in His Pockets (Tricycle Theatre); Calendar Girls (West End, Australia and Canada); The Field (Olympia Theatre Dublin); Little Women (Gate Theatre Dublin); The Dead (Abbey Theatre Dublin); Richard III (Northern Broadsides); The Devil Inside Him (National Theatre Wales); Tutti Frutti (National Theatre of Scotland); After Dark (balletLORENT).
Opera credits include Carmen, The Wreckers (Glyndebourne); Der Rosenkavalier, Rusalka, Alcina, Capriccio (Santa Fe); Orpheus in the Underworld (English National Opera); Die Schöpfung (Oper Köln); Madama Butterfly (Royal Danish Opera); Hercules (Badisches Staatstheater Karlsruhe); Werther (Opéra de Marseille); Stiffelio (Opéra national du Rhin); Breaking the Waves (Theater St. Gallen); Platée, Mitridate Re di Ponto, Rusalka, Der Rosenkavalier, Eugene Onegin, The Turn of the Screw, Don Giovanni, Falstaff, The Skating Rink, Pelléas et Mélisande, Idomeneo, Der Stein der Weisen, Armida, Le nozze di Figaro (Garsington); Ivan the Terrible (Grange Park Opera); War and Peace, In Parenthesis, The Seven Deadly Sins (Welsh National Opera); Who put Bella in the Wych Elm? (Almeida Aldeburgh Opera); Giovanna d'Arco, Lucia di Lammermoor, Orfeo ed Euridice, The Jacobin (Buxton Festival); Le Premier Meurtre (Le Balcon at Opéra de Lille); Pleasure, The Coronation of Poppea (Opera North); La Belle Hélène (Opéra national de Lorraine).
He is a member of the Association of Lighting Designers and Equity in the UK and of United Scenic Artists Local 829 IATSE in the US and Canada.
He lives in London.
Specialisms
- West End
- Commercial Tour
- Regional (Main House)
- Regional (Studio)
- West End
- Regional (Main House)
- Regional (Studio)
- Large scale
- Small scale
- Large Scale
- Medium Scale
Previous productions
| Show name | Type | Venue/Company | Role | Creative Team | Opened | |
|---|---|---|---|---|---|---|
| A Child's Christmas in Wales | Theatre |
The Lucky Chance, Frome
Emma Rice Company |
Lighting Designer |
Director: Emma Rice Set designer: Emma Rice |
||
| The Assembled Parties | Theatre |
Hampstead Theatre
|
Lighting Designer |
Director: Blanche McIntyre Set designer: James Cotterill |
||
| Cinderella (La Cenerentola) | Opera |
London Coliseum
English National Opera |
Lighting Designer |
Director: Julia Burbach Set designer: Herbert Murauer |
||
| The Last Stand of Mrs. Mary Whitehouse | Theatre |
Nottingham Playhouse
|
Lighting Designer |
Director: Sarah Frankcom Set designer: Peter Butler |
||
| Die Walküre | Opera |
Santa Fe Opera
|
Lighting Designer |
Director: Melly Still Set designer: Leslie Travers |
||
| The Turn of the Screw | Opera |
Santa Fe Opera
|
Lighting Designer |
Director: Louisa Muller Set designer: Christopher Oram |
||
| Salome | Opera |
Teatro Massimo, Palermo
|
Lighting Designer |
Director: Bruno Ravella Set designer: Leslie Travers |
||
| Krapp’s Last Tape | Theatre |
York Theatre Royal
|
Lighting Designer |
Director: Gary Oldman Set designer: Gary Oldman |
||
| Peter Grimes | Opera |
Wales Millennium Centre, then touring
Welsh National Opera |
Lighting Designer |
Director: Melly Still Set designer: Chiara Stephenson |
||
| North by Northwest | Theatre |
York Theatre Royal, then touring
Wise Children |
Lighting Designer |
Director: Emma Rice Set designer: Rob Howell |
||
| Der Kleine Prinz | Opera |
Musik Theater an der Wien
|
Lighting Designer |
Director: Louisa Muller Set designer: Madeleine Boyd |
||
| The Christmas Goblin | Theatre |
ARK Margate
|
Lighting Designer |
Director: Laura Keefe |
||
| Snow White: The Sacrifice | Dance |
Northern Stage, then touring
balletLORENT |
Lighting Designer |
Choreographer: Liv Lorent Set designer: Phil Eddolls |
||
| Die Schöpfung | Opera |
Oper Köln |
Lighting Designer |
Director: Melly Still Set designer: Merle Hensel |
||
| Der Rosenkavalier | Opera |
Santa Fe Opera
|
Lighting Designer |
Director: Bruno Ravella Set designer: Gary McCann |
||
| The Merry Wives of Windsor | Theatre |
Royal Shakespeare Theatre
Royal Shakespeare Company |
Lighting Designer |
Director: Blanche Macintyre Set designer: Robert Innes Hopkins |
||
| Le nozze di Figaro | Opera |
Garsington Opera
|
Lighting Designer |
Director: John Cox Set designer: Robert Perdziola |
||
| Platée | Opera |
Garsington Opera
|
Lighting Designer |
Director: Louisa Muller Set designer: Christopher Oram |
||
| Carmen | Opera |
Glyndebourne
|
Lighting Designer |
Director: Diane Paulus Set designer: Riccardo Hernandez |
||
| Madama Butterfly | Opera |
Royal Danish Opera, Copenhagen
|
Lighting Designer |
Director: Floris Visser Set designer: Gideon Davey |
||
| Future Cargo | Dance |
The Garden of Earthly Delights, Adelaide, then touring
Requardt and Rosenberg |
Lighting Designer | Set designer: Hannah Clark | ||
| Blue Beard | Theatre |
Theatre Royal Bath, then touring
Wise Children |
Lighting Designer |
Director: Emma Rice Set designer: Vicki Mortimer |
||
| The Velveteen Rabbit | Dance |
John Marley Centre, Newcastle-upon-Tyne, then touring
balletLORENT |
Lighting Designer |
Choreographer: Liv Lorent Set designer: Nasir Mazhar |
||
| Sputnik Sweetheart | Theatre |
Arcola Theatre
|
Lighting Designer |
Director: Melly Still Set designer: Shizuka Hariu |
||
| Rusalka | Opera |
Santa Fe Opera
|
Lighting Designer |
Director: David Pountney Set designer: Leslie Travers |
||
| Ariadne Auf Naxos | Opera |
Garsington Opera
|
Lighting Designer |
Director: Bruno Ravella Set designer: Giles Cadle |
||
| Mitridate, re di Ponto | Opera |
Garsington Opera
|
Lighting Designer |
Director: Tim Albery Set designer: Hannah Clark |
||
| Le nozze di Figaro | Opera |
Aalto-Musiktheater, Essen
|
Lighting Designer |
Director: Floris Visser Set designer: Gideon Davey |
||
| 1923 Müzikali | Musical |
Zorlu Centre, Istanbul
|
Lighting Designer |
Director: Mehmet Ergen & Lerzan Pamir Set designer: Robert Innes Hopkins |
||
| Der Rosenkavalier | Opera |
Bord Gáis Energy Theatre
Irish National Opera |
Lighting Designer |
Director: Bruno Ravella Set designer: Gary McCann |
||
| The Becoming | Dance |
Boiler Shop, Newcastle-upon-Tyne, then touring
balletLORENT |
Lighting Designer |
Choreographer: Liv Lorent |
||
| Betty! A sort of Musical | Musical |
Royal Exchange Manchester
|
Lighting Designer |
Director: Sarah Frankcom Set designer: James Cotterill |
||
| Stiffelio | Opera |
Opéra de Dijon
|
Lighting Designer |
Director: Bruno Ravella Set designer: Hannah Clark |
||
| Madama Butterfly | Opera |
Oper Graz
|
Lighting Designer |
Director: Floris Visser Set designer: Gideon Davey |
||
| Hamlet | Theatre |
Bristol Old Vic
|
Lighting Designer |
Director: John Haidar Set designer: Alex Eales |
||
| Rapunzel After Dark | Dance |
Northern Stage, then touring
balletLORENT |
Lighting Designer |
Choreographer: Liv Lorent Set designer: Phil Eddols |
||
| Rapunzel | Dance |
Northern Stage, then touring
balletLORENT |
Lighting Designer |
Choreographer: Liv Lorent Set designer: Phil Eddols |
||
| The Gretchen Question | Theatre |
Master Shipwrights House
Fuel |
Lighting Designer |
Director: Melly Still Set designer: E.M.Parry |
||
| The Turn of the Screw | Opera |
Garsington Opera
|
Lighting Designer |
Director: Louisa Muller Set designer: Christopher Oram |
||
| Rusalka | Opera |
Garsington Opera & Edinburgh Festival Theatre
Garsington Opera |
Lighting Designer |
Director: Jack Furness Set designer: Tom Piper |
||
| The Wreckers | Opera |
Glyndebourne
|
Lighting Designer |
Director: Melly Still Set designer: Ana Inés Jabares-Pita |
||
| Werther | Opera |
Opéra de Marseille
|
Lighting Designer |
Director: Bruno Ravella Set designer: Leslie Travers |
||
| Syllable | Opera |
Laban Theatre
|
Lighting Designer |
Director: Joseph Alford Set designer: Molly Einchcomb |
||
| The Christmas Goblin | Theatre |
The Marlowe Theatre Studio
|
Lighting Designer |
Director: Laura Keefe Set designer: Zoe Hurwitz |
||
| Measure for Measure | Theatre |
Sam Wanamaker Playhouse
Shakespeare's Globe |
Lighting Designer |
Director: Blanche McIntyre Set designer: James Cotterill |
||
| The Seven Pomegranate Seeds | Theatre |
Rose Theatre Kingston
|
Lighting Designer |
Director: Melly Still Set designer: Melly Still |
||
| Stiffelio | Opera |
Opéra national du Rhin
|
Lighting Designer |
Director: Bruno Ravella Set designer: Hannah Clark |
||
| Breaking the Waves | Opera |
Theater St. Gallen
|
Lighting Designer |
Director: Melly Still Set designer: Ana Inés Jabares-Pita |
||
| Bagdad Café | Theatre |
The Old Vic
Wise Children |
Lighting Designer |
Director: Emma Rice Set designer: Lez Brotherston |
||
| Ivan The Terrible | Opera |
Grange Park Opera
|
Lighting Designer |
Director: David Pountney Set designer: Francis O'Connor |
||
| Eugene Onegin | Opera |
Garsington Opera
|
Lighting Designer |
Director: Michael Boyd Set designer: Tom Piper |
||
| Der Rosenkavalier | Opera |
Garsington Opera
|
Lighting Designer |
Director: Bruno Ravella Set designer: Gary McCann |
||
| Future Cargo | Dance |
Norfolk & Norwich Festival, then touring
Requardt and Rosenberg |
Lighting Designer | Set designer: Hannah Clark | ||
| Hercules (postponed) | Opera |
Baadisches Staatstheater Karlsruhe
|
Lighting Designer |
Director: Floris Visser Set designer: Gideon Davey |
||
| The Flying Lovers of Vitebsk (live stream) | Theatre |
Bristol Old Vic
Wise Children, Kneehigh and Bristol Old Vic |
Lighting Designer |
Director: Emma Rice Set designer: Sophia Clist |
||
| Madama Butterfly | Opera |
Oper Graz
|
Lighting Designer |
Director: Floris Visser Set designer: Gideon Davey |
||
| Romantics Anonymous (live stream) | Musical |
Bristol Old Vic
Wise Children |
Lighting Designer |
Director: Emma Rice Set designer: Lez Brotherston |
||
| Fidelio (postponed) | Opera |
Garsington Opera
|
Lighting Designer |
Director: John Cox Set designer: Gary McCann |
||
| Rusalka (postponed) | Opera |
Garsington Opera, then touring
|
Lighting Designer |
Director: Michael Boyd Set designer: Tom Piper |
||
| Mitridate, re di Ponto (postponed) | Opera |
Garsington Opera
|
Lighting Designer |
Director: Tim Albery Set designer: Hannah Clark |
||
| Malory Towers (postponed) | Musical |
Theatre By the Lake, then touring
Wise Children |
Lighting Designer |
Director: Emma Rice Set designer: Lez Brotherston |
||
| Afterplay | Theatre |
The Coronet Theatre
|
Lighting Designer |
Director: John Haidar Set designer: Lucy Osborne |
||
| The Mirror Crack’d | Theatre |
National Centre for the Performing Arts, Mumbai
|
Lighting Designer |
Director: Melly Still Set designer: Richard Kent |
||
| Romantics Anonymous | Musical |
Bristol Old Vic, Wallis Annenberg Center Beverly Hills, then touring
|
Lighting Designer |
Director: Emma Rice Set designer: Lez Brotherston |
||
| Songs for Nobodies | Musical |
Geelong PAC, Melbourne Arts Centre & Sydney Opera House
|
Lighting Designer |
Director: Simon Phillips Set designer: Justin Nardella |
||
| My Brilliant Friend | Theatre |
National Theatre - Olivier
|
Lighting Designer |
Director: Melly Still Set designer: Soutra Gilmour |
||
| The Lost Happy Endings | Dance |
Northern Stage, then touring
balletLORENT |
Lighting Designer |
Choreographer: Liv Lorent Set designer: Neil Murray |
||
| Orpheus in the Underworld | Opera |
London Coliseum
English National Opera |
Lighting Designer |
Director: Emma Rice Set designer: Lizzie Clachan |
||
| Klangwolke 2019 - SOLAR | Theatre |
Donaupark Linz
Linz AG |
Lighting Designer |
Director: David Pountney Set designer: Robert Innes Hopkins |
||
| Malory Towers | Theatre |
The Passenger Shed, Bristol, then touring
Wise Children |
Lighting Designer |
Director: Emma Rice Set designer: Lez Brotherston |
||
| Captain Corelli's Mandolin | Theatre |
Harold Pinter Theatre
|
Lighting Designer |
Director: Melly Still Set designer: Mayou Trikerioti |
||
| The Turn of the Screw | Opera |
Garsington Opera
|
Lighting Designer |
Director: Louisa Muller Set designer: Christopher Oram |
||
| Don Giovanni | Opera |
Garsington Opera
|
Lighting Designer |
Director: Michael Boyd Set designer: Tom Piper |
||
| Dead Dog in a Suitcase (and other love songs) | Theatre |
Nuffield Southampton City, then touring
Kneehigh |
Lighting Designer |
Director: Mike Shepherd Set designer: Michael Vale |
||
| Captain Corelli's Mandolin | Theatre |
Curve Theatre Leicester, then touring
Neil Laidlaw Productions, Rose Theatre Kingston & Birmingham Rep |
Lighting Designer |
Director: Melly Still Set designer: Mayou Trikerioti |
||
| God of Chaos | Theatre |
The Drum
Theatre Royal Plymouth |
Lighting Designer |
Director: David Mercatali Set designer: Grace Smart |
||
| The Mirror Crack’d | Theatre |
Salisbury Playhouse, then touring
Wales Millennium Centre & Wiltshire Creative |
Lighting Designer |
Director: Melly Still Set designer: Richard Kent |
||
| Songs for Nobodies | Musical |
Ambassadors Theatre London
|
Lighting Designer |
Director: Simon Phillips Set designer: Justin Nardella |
||
| La Belle Hélène | Opera |
Opéra national de Lorraine
|
Lighting Designer |
Director: Bruno Ravella Set designer: Giles Cadle |
||
| After Dark | Dance |
Northern Stage, then touring
balletLORENT |
Lighting Designer |
Choreographer: Liv Lorent |
||
| Wise Children | Theatre |
Old Vic Theatre, then touring
Wise Children |
Lighting Designer |
Director: Emma Rice Set designer: Vicki Mortimer |
||
| War and Peace | Opera |
Wales Millennium Centre, then touring
Welsh National Opera |
Lighting Designer |
Director: David Pountney Set designer: Robert Innes Hopkins |
||
| FUP | Theatre |
Kneehigh Asylum, then touring
Kneehigh |
Lighting Designer |
Director: Simon Harvey Set designer: Rosanna Vize |
||
| Black Cat: Bohemia | Theatre |
Spiegeltent, Southbank Centre
The Black Cat Cabaret |
Lighting Designer |
Director: Sean Kempton |
||
| Sweet Charity | Musical |
Watermill Theatre Newbury
|
Lighting Designer |
Director: Paul Hart Set designer: Diego Pitarch |
||
| The Skating Rink | Opera |
Garsington Opera
|
Lighting Designer |
Director: Stewart Laing Set designer: Stewart Laing |
||
| Falstaff | Opera |
Garsington Opera
|
Lighting Designer |
Director: Bruno Ravella Set designer: Giles Cadle |
||
| Capriccio | Opera |
Garsington Opera
|
Lighting Designer |
Director: Tim Albery Set designer: Tobias Hoheisel |
||
| Songs for Nobodies | Musical |
Wilton's Music Hall
|
Lighting Designer |
Director: Simon Phillips Set designer: Justin Nardella |
||
| Brief Encounter | Theatre |
Empire Cinema Haymarket, London
Kneehigh |
Lighting Designer |
Director: Emma Rice Set designer: Neil Murray |
||
| Brief Encounter | Theatre |
Birmingham Rep & The Lowry
Kneehigh |
Lighting Designer |
Director: Emma Rice Set designer: Neil Murray |
||
| Das Rheingold | Opera |
Royal Festival Hall
London Philharmonic Orchestra |
Lighting Designer |
Director: Ted Huffman |
||
| The Flying Lovers of Vitebsk | Theatre |
Wilton's Music Hall, The Wallis Beverly Hills, then touring
Kneehigh |
Lighting Designer |
Director: Emma Rice Set designer: Sophia Clist |
||
| Apocalypse Meow | Theatre |
Sam Wanamaker Playhouse
|
Lighting Designer |
Director: Meow Meow |
||
| Titus Andronicus | Theatre |
Barbican Centre
Royal Shakespeare Company |
Lighting Designer |
Director: Blanche McIntyre Set designer: Robert Innes Hopkins |
||
| The Little Matchgirl and Other Happier Tales | Theatre |
Bristol Old Vic, then touring
Bristol Old Vic & Shakespeare's Globe |
Lighting Designer |
Director: Emma Rice Set designer: Vicki Mortimer |
||
| The Secret Theatre | Theatre |
Sam Wanamaker Playhouse
|
Lighting Designer |
Director: Matthew Dunster Set designer: Jon Bausor |
||
| Rumpelstiltskin | Dance |
Northern Stage, then touring
balletLORENT & Sadler's Wells |
Lighting Designer |
Choreographer: Liv Lorent Set designer: Phil Eddolls |
||
| Romantics Anonymous | Musical |
Sam Wanamaker Playhouse
Shakespeare's Globe |
Lighting Designer |
Director: Emma Rice Set designer: Lez Brotherston |
||
| The Tin Drum | Theatre |
Liverpool Everyman, then touring
Kneehigh, Liverpool Everyman and West Yorkshire Playhouse |
Lighting Designer |
Director: Mike Shepherd Set designer: Naomi Dawson |
||
| Boudica | Theatre |
Shakespeare's Globe
|
Lighting Designer |
Director: Eleanor Rhode Set designer: Tom Piper |
||
| Alcina | Opera |
Santa Fe Opera
|
Lighting Designer |
Director: David Alden Set designer: Gideon Davey |
||
| Titus Andronicus | Theatre |
Royal Shakespeare Theatre
RSC |
Lighting Designer |
Director: Blanche McIntyre Set designer: Robert Innes Hopkins |
||
| Pelléas et Mélisande | Opera |
Garsington Opera
|
Lighting Designer |
Director: Michael Boyd Set designer: Tom Piper |
||
| Twelfth Night | Theatre |
Shakespeare's Globe
|
Lighting Designer |
Director: Emma Rice Set designer: Lez Brotherston |
||
| Tristan and Yseult | Theatre |
Brighton Festival, then touring
Kneehigh |
Lighting Designer |
Director: Emma Rice Set designer: Bill Mitchell |
||
| Richard III | Theatre |
Hull Truck Theatre, then touring
Northern Broadsides & Hull 2017 UK City of Culture |
Lighting Designer |
Director: Barrie Rutter Set designer: Neil Murray |
||
| My Brilliant Friend | Theatre |
Rose Theatre Kingston
|
Lighting Designer |
Director: Melly Still Set designer: Soutra Gilmour |
||
| Fidelio | Opera |
Royal Festival Hall
London Philharmonic Orchestra |
Lighting Designer |
Director: Daniel Slater Set designer: Max Johns |
||
| A Judgement in Stone | Theatre |
Theatre Royal Windsor, then touring
Bill Kenwright Ltd |
Lighting Designer |
Director: Roy Marsden Set designer: Julie Godfrey |
||
| A Very Old Man with Enormous Wings | Theatre |
Little Angel Theatre
Little Angel Theatre in association with Kneehigh |
Lighting Designer |
Director: Mike Shepherd Set designer: Lyndie Wright |
||
| The Little Matchgirl and Other Happier Tales | Theatre |
Sam Wanamaker Playhouse
|
Lighting Designer |
Director: Emma Rice Set designer: Vicki Mortimer |
||
| Le Premier Meurtre | Opera |
Opéra de Lille
Le Balcon |
Lighting Designer |
Director: Ted Huffman |
||
| Good Canary | Theatre |
Rose Theatre Kingston
|
Lighting Designer |
Director: John Malkovich Set designer: Pierre-François Limbosch |
||
| 946: The Amazing Story of Adolphus Tips | Theatre |
Shakespeare's Globe, then touring
Kneehigh, Birmingham Rep & Berkeley Repertory Theatre |
Lighting Designer |
Director: Emma Rice Set designer: Lez Brotherston |
||
| FUP | Theatre |
Kneehigh Asylum
Kneehigh and o-region |
Lighting Designer |
Director: Simon Harvey Set designer: Rosanna Vize |
||
| Capriccio | Opera |
Santa Fe Opera
|
Lighting Designer |
Director: Tim Albery Set designer: Tobias Hoheisel |
||
| Idomeneo | Opera |
Garsington Opera |
Lighting Designer |
Director: Tim Albery Set designer: Hannah Clark |
||
| The Flying Lovers of Vitebsk | Theatre |
Bristol Old Vic, then touring
Kneehigh |
Lighting Designer |
Director: Emma Rice Set designer: Sophia Clist |
||
| In Parenthesis | Opera |
Wales Millennium Centre, Royal Opera House, then touring
Welsh National Opera |
Lighting Designer |
Director: David Pountney Set designer: Robert Innes Hopkins |
||
| A Midsummer Night's Dream | Theatre |
Shakespeare's Globe
|
Lighting Designer |
Director: Emma Rice Set designer: Börkur Jónsson |
||
| Pleasure | Opera |
Howard Assembly Room, then touring
Opera North, Aldeburgh Music and Royal Opera House |
Lighting Designer |
Director: Tim Albery Set designer: Leslie Travers |
||
| Only the Brave | Musical |
Wales Millennium Centre
Wales Millennium Centre, Soho Theatre, Daniel Sparrow & Birdsong Productions |
Lighting Designer |
Director: Steve Marmion Set designer: Michael Vale |
||
| The Herbal Bed | Theatre |
Royal Theatre Northampton, then touring
English Touring Theatre, Royal & Derngate and Rose Theatre Kingston |
Lighting Designer |
Director: James Dacre Set designer: Jonathan Fensom |
||
| A Christmas Carol | Theatre |
Rose Theatre Kingston |
Lighting Designer |
Director: Ciaran McConville Set designer: Timothy Bird |
||
| My People | Theatre |
Clwyd Theatr Cymru
Invertigo & Clwyd Theatr Cymru |
Lighting Designer |
Director: Steffan Donnelly Set designer: Cécile Trémolières |
||
| Snow White | Dance |
Northern Stage, then touring
balletLORENT, Northern Stage and Sadler's Wells |
Lighting Designer |
Choreographer: Liv Lorent Set designer: Phil Edolls |
||
| Dead Dog in a Suitcase (and other love songs) | Theatre |
HOME Manchester, then touring
Kneehigh |
Lighting Designer |
Director: Mike Shepherd Set designer: Michael Vale |
||
| A View from the Bridge | Theatre |
Gate Theatre Dublin
|
Lighting Designer |
Director: Joe Dowling Set designer: Beowulf Boritt |
||
| Wallflower | Theatre |
Noorderzon Performing Arts Festival Groningen, then touring
Quarantine |
Lighting Designer |
Director: Richard Gregory Set designer: Simon Banham |
||
| Love Struck | Dance |
Stockton International Riverside Festival
balletLORENT |
Lighting Designer |
Choreographer: Liv Lorent Set designer: Phil Edolls |
||
| 946 | Theatre |
Kneehigh Asylum
Kneehigh |
Lighting Designer |
Director: Emma Rice Set designer: Lez Brotherston |
||
| Lucia di Lammermoor | Opera |
Buxton Opera House
Buxton Festival |
Lighting Designer |
Director: Stephen Unwin Set designer: Jonathan Fensom |
||
| Giovanna d'Arco | Opera |
Buxton Opera House
Buxton Festival |
Lighting Designer |
Director: Elijah Moshinsky Set designer: Russell Craig |
||
| The Dead Monkey | Theatre |
Park Theatre
Mongrel Thumb |
Lighting Designer |
Director: Hannah Price Set designer: Anthony Lamble |
||
| What Falls Apart | Theatre |
Live Theatre, Newcastle |
Lighting Designer |
Director: Max Roberts Set designer: Isla Shaw |
||
| After Electra | Theatre |
Tricycle Theatre & Plymouth Drum
Theatre Royal Plymouth |
Lighting Designer |
Director: Samuel West Set designer: Michael Taylor |
||
| The Three Lions | Theatre |
St. James Theatre London, then touring
Jenny Topper and Rosie Bowen for PBJ Management |
Lighting Designer |
Director: Philip Wilson Set designer: Colin Falconer |
||
| The Boy in the Striped Pyjamas | Theatre |
Chichester Festival Theatre, then touring
Children's Touring Partnership |
Lighting Designer |
Director: Joe Murphy Set designer: Robert Innes Hopkins |
||
| Boa | Theatre |
Trafalgar Studios
|
Lighting Designer |
Director: Hannah Price Set designer: Anthony Lamble |
||
| Flying into Daylight | Theatre |
Live Theatre, Newcastle |
Lighting Designer |
Director: Ron Hutchinson and Max Roberts Set designer: Gary McCann |
||
| Tristan and Yseult | Theatre |
St. Ann's Warehouse, New York, then touring
Kneehigh |
Lighting Designer |
Director: Emma Rice Set designer: Bill Mitchell |
||
| The Coronation of Poppea | Opera |
Leeds Grand Theatre, then touring
Opera North |
Lighting Designer |
Director: Tim Albery Set designer: Hannah Clark |
||
| Ghost from a Perfect Place | Theatre |
Arcola Theatre
|
Lighting Designer |
Director: Russell Bolam Set designer: Anthony Lamble |
||
| Orfeo ed Euridice | Opera |
Buxton Opera House
Buxton Festival |
Lighting Designer |
Director: Stephen Medcalf Set designer: Francis O'Connor |
||
| The Jacobin | Opera |
Buxton Opera House
Buxton Festival |
Lighting Designer |
Director: Stephen Unwin Set designer: Jonathan Fensom |
||
| Dead Dog in a Suitcase (and other love songs) | Theatre |
Liverpool Everyman, then touring
Kneehigh |
Lighting Designer |
Director: Mike Shepherd Set designer: Michael Vale |
||
| Not the Worst Place | Theatre |
Clwyd Theatr Cymru & Sherman Cymru
Paines Plough |
Lighting Designer |
Director: George Perrin Set designer: Hannah Clark |
||
| The Girl's Guide to Saving the World | Theatre |
HighTide Festival Theatre |
Lighting Designer |
Director: Amelia Sears Set designer: Jamie Vartan |
||
| Spring Awakening | Theatre |
West Yorkshire Playhouse, Southampton Nuffield, then touring
Headlong |
Lighting Designer |
Director: Ben Kidd Set designer: Colin Richmond |
||
| The Threepenny Opera | Theatre |
Nottingham Playhouse, then touring
Graeae, Nottingham Playhouse, Ipswich Wolsey, WY Playhouse & Birmingham Rep |
Lighting Designer |
Director: Jenny Sealey and Peter Rowe Set designer: Neil Murray |
||
| Brief Encounter | Theatre |
Wallis Annenberg Center Beverly Hills, then touring
Kneehigh |
Lighting Designer |
Director: Emma Rice Set designer: Neil Murray |
||
| Refugee Boy | Theatre |
West Yorkshire Playhouse, then touring
|
Lighting Designer |
Director: Gail McIntyre Set designer: Emma Williams |
||
| Moon Tiger | Theatre |
Theatre Royal Bath, then touring
Theatre Royal Bath Productions |
Lighting Designer |
Director: Stephen Unwin Set designer: Timothy Bird |
||
| The Night Before Christmas | Theatre |
Soho Theatre |
Lighting Designer |
Director: Steve Marmion Set designer: Michael Vale |
||
| Dark Road | Theatre |
Edinburgh Royal Lyceum |
Lighting Designer |
Director: Mark Thomson Set designer: Francis O'Connor |
||
| Brief Encounter | Theatre |
Adelaide Festival Theatre, then touring
Kneehigh |
Lighting Designer |
Director: Emma Rice Set designer: Neil Murray |
||
| The Three Lions | Theatre |
Pleasance Edinburgh
Jenny Topper and Rosie Bowen for PBJ Management with Pleasance |
Lighting Designer |
Director: Philip Wilson Set designer: Colin Falconer |
||
| Each of Us | Theatre |
Pleasance Edinburgh, then touring
Ben Moor |
Lighting Designer |
Director: Erica Whyman |
||
| The Energy Show | Theatre |
Science Museum London IMAX, then touring
Science Museum Live |
Lighting Designer |
Director: Martin Lamb Set designer: Janet Bird |
||
| The Night Ball | Dance |
Wallsend Memorial Hall, then touring
balletLORENT |
Lighting Designer |
Choreographer: Liv Lorent |
||
| Tristan and Yseult | Theatre |
West Yorkshire Playhouse, then touring
Kneehigh |
Lighting Designer |
Director: Emma Rice Set designer: Bill Mitchell |
||
| The Birthday Party | Theatre |
Manchester Royal Exchange |
Lighting Designer |
Director: Blanche McIntyre Set designer: Dick Bird |
||
| Ours was the Fen Country | Dance |
New Wolsey Theatre Ipswich, then touring
Still House |
Lighting Designer |
Choreographer: Dan Canham |
||
| The Empress | Theatre |
Swan Theatre
Royal Shakespeare Company |
Lighting Designer |
Director: Emma Rice Set designer: Lez Brotherston |
||
| Forever House | Theatre |
Drum Theatre Plymouth |
Lighting Designer |
Director: Joe Murphy Set designer: Hannah Clark |
||
| Refugee Boy | Theatre |
West Yorkshire Playhouse |
Lighting Designer |
Director: Gail McIntyre Set designer: Emma Williams |
||
| The Threepenny Opera | Concert |
Theatre des Champs-Élysées & Royal Festival Hall, then touring
London Philharmonic Orchestra |
Lighting Designer |
Director: Ted Huffman |
||
| And Then the Dark | Theatre |
New Wolsey Theatre Ipswich |
Lighting Designer |
Director: Peter Rowe Set designer: Richard Foxton |
||
| The Wild Bride | Theatre |
Berkeley Repertory Theatre and St. Ann's Warehouse, New York
Kneehigh |
Lighting Designer |
Director: Emma Rice Set designer: Bill Mitchell |
||
| The Dead | Theatre |
Abbey Theatre, Dublin
|
Lighting Designer |
Director: Joe Dowling Set designer: Riccardo Hernandez |
||
| The Promise | Theatre |
Trafalgar Studios
Donmar Warehouse |
Lighting Designer |
Director: Alex Sims Set designer: Mike Britton |
||
| Rapunzel | Dance |
Gala Theatre Durham, then touring
balletLORENT, Northern Stage and Sadler's Wells |
Lighting Designer |
Choreographer: Liv Lorent Set designer: Phil Edolls |
||
| London | Theatre |
Salisbury Playhouse, then touring
Paines Plough |
Lighting Designer |
Director: George Perrin Set designer: Hannah Clark |
||
| Steptoe and Son | Theatre |
Kneehigh Asylum, then touring
Kneehigh & West Yorkshire Playhouse |
Lighting Designer |
Director: Emma Rice Set designer: Neil Murray |
||
| West Side Story | Musical |
The Sage Gateshead
|
Lighting Designer |
Director: Will Tuckett Set designer: Michael Vale |
||
| Wah! Wah! Girls | Musical |
Peacock Theatre, then touring
Sadler's Wells, Theatre Royal Stratford East & Kneehigh |
Lighting Designer |
Director: Emma Rice Set designer: Keith Khan |
||
| Belong | Theatre |
Royal Court Jerwood Theatre Upstairs, then touring
Royal Court Theatre and Tiata Fahodzi |
Lighting Designer |
Director: Indhu Rubasingham Set designer: Ben Stones |
||
| The Seven Year Itch | Theatre |
Salisbury Playhouse
|
Lighting Designer |
Director: Blanche McIntyre Set designer: James Cotterill |
||
| The Lady from the Sea | Theatre |
Rose Theatre Kingston |
Lighting Designer |
Director: Stephen Unwin Set designer: Simon Higlett |
||
| The Pitchfork Disney | Theatre |
Arcola Theatre |
Lighting Designer |
Director: Edward Dick Set designer: Bob Bailey |
||
| Stones In His Pockets | Theatre |
Tricycle Theatre, then touring
|
Lighting Designer |
Director: Indhu Rubasingham Set designer: Rosa Maggiora |
||
| A Very Old Man with Enormous Wings | Theatre |
Little Angel Theatre, then touring
Little Angel Theatre in association with Kneehigh |
Lighting Designer |
Director: Mike Shepherd Set designer: Lyndie Wright |
||
| Little Women | Theatre |
Gate Theatre Dublin |
Lighting Designer |
Director: Michael Barker-Caven Set designer: Paul O’Mahony |
||
| Persuasion | Theatre |
Salisbury Playhouse |
Lighting Designer |
Director: Kate Saxon Set designer: Libby Watson |
||
| Farewell to the Theatre | Theatre |
Rose Theatre Kingston |
Lighting Designer |
Director: Stephen Unwin Set designer: Hayden Griffin |
||
| The Importance of Being Earnest | Theatre |
Rose Theatre Kingston, then touring
|
Lighting Designer |
Director: Stephen Unwin Set designer: Hayden Griffin |
||
| Decade | Theatre |
Commodity Quay, St. Katharine Docks
Headlong Theatre |
Lighting Designer |
Director: Rupert Goold Set designer: Miriam Buether |
||
| The Wild Bride | Theatre |
Kneehigh Asylum, then touring
Kneehigh |
Lighting Designer |
Director: Emma Rice Set designer: Bill Mitchell |
||
| Midnight's Pumpkin | Theatre |
Kneehigh Asylum, then touring
Kneehigh |
Lighting Designer |
Director: Emma Rice and Mike Shepherd Set designer: Michael Vale |
||
| HMS Pinafore | Musical |
Guthrie Theater Minneapolis
|
Lighting Designer |
Director: Joe Dowling Set designer: Frank Hallinan Flood |
||
| The Acid Test | Theatre |
Royal Court Jerwood Theatre Upstairs
|
Lighting Designer |
Director: Simon Godwin Set designer: Paul Wills |
||
| Calendar Girls (Canada) | Theatre |
John Hirsch Theatre Winnipeg & Royal Alexandra Theatre Toronto
Manitoba Theatre Centre and Mirvish Productions |
Lighting Designer |
Director: Marti Maraden Set designer: Rob Jones |
||
| The Umbrellas of Cherbourg | Musical |
Gielgud Theatre
Kneehigh & Daniel Sparrow Productions |
Lighting Designer |
Director: Emma Rice Set designer: Lez Brotherston |
||
| The Umbrellas of Cherbourg | Theatre |
Curve, Leicester
Kneehigh & Daniel Sparrow Productions |
Lighting Designer |
Director: Emma Rice Set designer: Lez Brotherston |
||
| The Field | Theatre |
Olympia Theatre, Dublin, then touring
Lane Productions |
Lighting Designer |
Director: Joe Dowling Set designer: Frank Hallinan Flood |
||
| Kin | Theatre |
Royal Court Jerwood Theatre Upstairs
|
Lighting Designer |
Director: Jeremy Herrin Set designer: Bunny Christie |
||
| Crash | Theatre |
West Yorkshire Playhouse
|
Lighting Designer |
Director: Sarah Esdaile Set designer: Francis O'Connor |
||
| Brief Encounter | Theatre |
Studio 54, New York
Kneehigh & Roundabout Theatre Company |
Lighting Designer |
Director: Emma Rice Set designer: Neil Murray |
||
| The King of Prussia | Theatre |
Kneehigh Asylum
Kneehigh |
Lighting Designer |
Director: Mike Shepherd |
||
| Blast! | Theatre |
Kneehigh Asylum
Kneehigh |
Lighting Designer |
Director: Emma Rice and Mike Shepherd |
||
| The Red Shoes | Theatre |
Kneehigh Asylum, then touring
Kneehigh |
Lighting Designer |
Director: Emma Rice Set designer: Bill Mitchell |
||
| Spur of the Moment | Theatre |
Royal Court Jerwood Theatre Upstairs
|
Lighting Designer |
Director: Jeremy Herrin Set designer: Max Jones |
||
| Armida | Opera |
Garsington Opera |
Lighting Designer |
Director: Martin Duncan Set designer: Ashley Martin-Davis |
||
| The Marriage of Figaro | Opera |
Garsington Opera |
Lighting Designer |
Director: John Cox Set designer: Robert Perdziola |
||
| The Devil Inside Him | Theatre |
New Theatre Cardiff
National Theatre Wales |
Lighting Designer |
Director: Elen Bowman Set designer: Alex Eales |
||
| Calendar Girls (Australia) | Theatre |
Lyric Theatre Brisbane, Theatre Royal Sydney, then touring
|
Lighting Designer |
Director: Psyche Stott Set designer: Rob Jones |
||
| Dumb Show | Theatre |
Rose Theatre Kingston |
Lighting Designer |
Director: Stephen Unwin Set designer: Simon Higlett |
||
| Dark Side of Buffoon | Theatre |
Coventry Belgrade and Lyric Hammersmith |
Lighting Designer |
Director: Timothy Sheader Set designer: Michael Pavelka |
||
| Blood, Sweat and Tears | Theatre |
Northern Stage, then touring
balletLORENT |
Lighting Designer | |||
| Jack and the Beanstalk | Theatre |
Lyric Hammersmith |
Lighting Designer |
Director: Steve Marmion Set designer: Tom Scutt |
||
| Confessions of a Justified Sinner | Theatre |
Edinburgh Lyceum |
Lighting Designer |
Director: Mark Thomson Set designer: Neil Murray |
||
| Six Characters in Search of an Author | Theatre |
Bristol Old Vic, then touring
Headlong |
Lighting Designer |
Director: Rupert Goold Set designer: Miriam Buether |
||
| Brief Encounter | Theatre |
A.C.T. San Francisco, St. Ann's Warehouse New York, Guthrie Theater Minneapolis
Kneehigh |
Lighting Designer |
Director: Emma Rice Set designer: Neil Murray |
||
| La Nuit Intime | Dance |
Logen Teater, Bergen
balletLORENT & Carte Blanche, Norway |
Lighting Designer |
Choreographer: Liv Lorent |
||
| The Winslow Boy | Theatre |
Rose Theatre Kingston, then touring
Rose Theatre Kingston & Bath Theatre Royal |
Lighting Designer |
Director: Stephen Unwin Set designer: Simon Higlett |
||
| Copenhagen | Theatre |
Edinburgh Lyceum |
Lighting Designer |
Director: Tony Cownie Set designer: Neil Murray |
||
| Calendar Girls | Theatre |
Noel Coward Theatre, then touring
|
Lighting Designer |
Director: Hamish McColl Set designer: Rob Jones |
||
| His Dark Materials | Theatre |
Birmingham Rep, then touring
Birmingham Rep and West Yorkshire Playhouse |
Lighting Designer |
Director: Rachel Kavanaugh and Sarah Esdaile Set designer: Ruari Murchison |
||
| Edward Gant's Amazing Feats of Loneliness | Theatre |
Southampton Nuffield, then touring
Headlong |
Lighting Designer |
Director: Steve Marmion Set designer: Tom Scutt |
||
| Crush - A Solo | Dance |
DanceCity, Newcastle upon Tyne, then touring
Daniel Daw |
Lighting Designer |
Choreographer: Liv Lorent |
||
| Don John | Theatre |
Courtyard Theatre, Stratford, then touring
RSC and Kneehigh Theatre |
Lighting Designer |
Director: Emma Rice Set designer: Vicki Mortimer |
||
| Mary Rose | Theatre |
Edinburgh Lyceum |
Lighting Designer |
Director: Tony Cownie Set designer: Neil Murray |
||
| The Bloody Chamber | Theatre |
Northern Stage |
Lighting Designer |
Director: Neil Murray Set designer: Neil Murray |
||
| Six Characters in Search of an Author | Theatre |
Gielgud Theatre
Headlong |
Lighting Designer |
Director: Rupert Goold Set designer: Miriam Buether |
||
| Calendar Girls | Theatre |
Chichester Festival Theatre, then touring
|
Lighting Designer |
Director: Hamish McColl Set designer: Rob Jones |
||
| Not Everything is Significant | Theatre |
Pleasance Edinburgh
Ben Moor |
Lighting Designer |
Director: Erica Whyman |
||
| The Gymnast | Theatre |
Pleasance Edinburgh
The Empty Space and Northern Stage |
Lighting Designer |
Director: Nigel Charnock and Jane Arnfield Set designer: Neil Murray |
||
| Six Characters in Search of an Author | Theatre |
Chichester Festival Theatre
Headlong & Chichester Festival Theatre |
Lighting Designer |
Director: Rupert Goold Set designer: Miriam Buether |
||
| James and the Giant Peach | Theatre |
Royal Theatre Northampton
|
Lighting Designer |
Director: Dani Parr Set designer: Ben Stones |
||
| MaEternal | Dance |
Northern Stage
balletLORENT |
Lighting Designer |
Choreographer: Liv Lorent |
||
| Kafka's Dick | Theatre |
Watford Palace Theatre
|
Lighting Designer |
Director: Sarah Esdaile Set designer: Neil Irish |
||
| Cymbeline | Theatre |
Teatro Colon, Bogotá and Teatro Popular do SESI, São Paulo
Kneehigh |
Lighting Designer |
Director: Emma Rice Set designer: Michael Vale |
||
| The Grouch | Theatre |
West Yorkshire Playhouse |
Lighting Designer |
Director: Sarah Esdaile Set designer: Ruari Murchison |
||
| Brief Encounter | Theatre |
The Cinema on the Haymarket, then touring
Kneehigh Theatre / David Pugh |
Lighting Designer |
Director: Emma Rice Set designer: Neil Murray |
||
| Designer Body | Dance |
The Sage, Gateshead, then touring
balletLORENT |
Lighting Designer |
Choreographer: Liv Lorent |
||
| Beauty and the Beast | Theatre |
West Yorkshire Playhouse
|
Lighting Designer |
Director: Gail McIntyre Set designer: Barney George |
||
| Faustus | Theatre |
Southampton Nuffield, then touring
Headlong |
Lighting Designer |
Director: Rupert Goold Set designer: Laura Hopkins |
||
| Brief Encounter | Theatre |
Birmingham Rep and West Yorkshire Playhouse
Kneehigh Theatre |
Lighting Designer |
Director: Emma Rice Set designer: Neil Murray |
||
| Carmen Jones | Musical |
Royal Festival Hall |
Lighting Designer |
Director: Jude Kelly Set designer: Michael Vale |
||
| Starseeker | Theatre |
Royal Theatre Northampton |
Lighting Designer |
Director: Dani Parr Set designer: Kate Bunce |
||
| Trance | Theatre |
The Bush Theatre
|
Lighting Designer |
Director: Shoji Kokami and Sarah Chew Set designer: Bob Bailey |
||
| The Seven Deadly Sins | Dance |
Wales Millennium Centre, then touring
Welsh National Opera and Diversions Dance |
Lighting Designer |
Choreographer: Roy Campbell-Moore Set designer: Jonathan Adams |
||
| Cyrano de Bergerac | Theatre |
Bristol Old Vic |
Lighting Designer |
Director: Simon Reade Set designer: Niki Turner |
||
| Tutti Frutti | Theatre |
Kings Theatre, Glasgow, then touring
National Theatre of Scotland |
Lighting Designer |
Director: Tony Cownie Set designer: Neil Murray |
||
| Someone Else's Shoes | Theatre |
Soho Theatre
English Touring Theatre |
Lighting Designer |
Director: Stephen Unwin Set designer: Anna Fleischle |
||
| Mrs. Warren's Profession | Theatre |
Edinburgh Lyceum & Nottingham Playhouse |
Lighting Designer |
Director: Tony Cownie Set designer: Neil Murray |
||
| Angelmoth | Dance |
Dance City, Newcastle upon Tyne, then touring
balletLORENT |
Lighting Designer |
Choreographer: Liv Lorent Set designer: Phil Eddolls |
||
| The Little Prince | Theatre |
Northern Stage |
Lighting Designer |
Director: Neil Murray Set designer: Neil Murray |
||
| Faustus | Theatre |
Hampstead Theatre
Oxford Stage Company |
Lighting Designer |
Director: Rupert Goold Set designer: Laura Hopkins |
||
| Mother Courage | Theatre |
Malvern Theatre, then touring
English Touring Theatre |
Lighting Designer |
Director: Stephen Unwin Set designer: Paul Wills |
||
| Cymbeline | Theatre |
Restormel Castle; The Swan, Stratford, then touring
Kneehigh Theatre / RSC Complete Works |
Lighting Designer |
Director: Emma Rice Set designer: Michael Vale |
||
| The Philosophers' Stone | Opera |
Garsington Opera |
Lighting Designer |
Director: John Cox Set designer: Peter Ruthven Hall |
||
| La Penumbra | Dance |
Dance Lab, Newcastle upon Tyne
Dance City |
Lighting Designer |
Choreographer: Liv Lorent |
||
| Monkey | Theatre |
Dundee Rep, then touring
Dundee Rep and Scottish Dance Theatre |
Lighting Designer |
Director: Dominic Hill and Janet Smith Set designer: Ben Stones |
||
| A Nightingale Sang in Eldon Square | Theatre |
Live Theatre, Newcastle |
Lighting Designer |
Director: Max Roberts Set designer: Nigel Hook |
||
| Scuffer | Theatre |
West Yorkshire Playhouse
|
Lighting Designer |
Director: Alex Chisholm Set designer: Emma Williams |
||
| Hamlet | Theatre |
New Ambassadors, London
English Touring Theatre |
Lighting Designer |
Director: Stephen Unwin Set designer: Michael Vale |
||
| La Nuit Intime | Dance |
The Wardrobe, Leeds, then touring
balletLORENT |
Lighting Designer |
Choreographer: Liv Lorent |
||
| Nights at the Circus | Theatre |
Lyric Hammersmith, Bristol Old Vic, then touring
Kneehigh Theatre and Lyric Hammersmith |
Lighting Designer |
Director: Emma Rice Set designer: Bill Mitchell and Vicki Mortimer |
||
| Woody Allen's Murder Mysteries | Musical |
Croydon Warehouse
I'm a Camera |
Lighting Designer |
Director: Janey Clarke Set designer: Charlie Cridlan |
||
| Dick Whittington | Theatre |
Clwyd Theatr Cymru
|
Lighting Designer |
Director: Peter Rowe Set designer: Judith Croft |
||
| The Lovers | Theatre |
Live Theatre, Newcastle
|
Lighting Designer |
Director: Jeremy Herrin Set designer: Imogen Cloët |
||
| Great Expectations | Theatre |
Tyne Theatre, Newcastle, then touring
Northern Stage |
Lighting Designer |
Director: Neil Murray Set designer: Neil Murray |
||
| Hamlet | Theatre |
Oxford Playhouse, then touring
English Touring Theatre |
Lighting Designer |
Director: Stephen Unwin Set designer: Michael Vale |
||
| Antigone at Hell's Mouth | Theatre |
Soho Theatre
Kneehigh Theatre and National Youth Theatre |
Lighting Designer |
Director: Mike Shepherd Set designer: Chloe Lamford |
||
| Coelacanth | Theatre |
Pleasance Theatre, Edinburgh
Ben Moor |
Lighting Designer |
Director: Erica Whyman |
||
| Hay Fever | Theatre |
York Theatre Royal
|
Lighting Designer |
Director: Damian Cruden Set designer: Nigel Hook |
||
| Our Kind of Fun | Theatre |
Live Theatre, Newcastle
|
Lighting Designer |
Director: Jeremy Herrin Set designer: Becs Andrews |
||
| Lush Life | Musical |
Live Theatre, Newcastle
|
Lighting Designer |
Director: Max Roberts Set designer: Imogen Cloët |
||
| Macbeth | Theatre |
York Theatre Royal
|
Lighting Designer |
Director: Damian Cruden Set designer: Damian Cruden |
||
| Little Sweet Thing | Theatre |
New Wolsey Theatre, Ipswich, then touring
Eclipse Theatre/Birmingham Rep/Nottingham Playhouse |
Lighting Designer |
Director: Michael Buffong Set designer: Ruari Murchison |
||
| The Lion, The Witch and The Wardrobe | Theatre |
West Yorkshire Playhouse
|
Lighting Designer |
Director: Ian Brown Set designer: Ruari Murchison |
||
| Toast | Theatre |
Live Theatre, Newcastle
|
Lighting Designer |
Director: Jeremy Herrin Set designer: Imogen Cloët |
||
| Kaput! | Theatre |
Northern Stage |
Lighting Designer |
Director: Neil Murray Set designer: Neil Murray |
||
| The Bacchae | Theatre |
West Yorkshire Playhouse, then touring
Kneehigh |
Lighting Designer |
Director: Emma Rice Set designer: Bill Mitchell |
||
| Black Cocktail | Theatre |
Pleasance Theatre, Edinburgh
Ben Moor |
Lighting Designer |
Director: Erica Whyman |
||
| Vodou Nation | Theatre |
West Yorkshire Playhouse, then touring
|
Lighting Designer |
Director: Brett Bailey and Geraldine Connor Set designer: Brett Bailey |
||
| La Vie de Fantasmes Erotiques et Esthetiques | Dance |
York Theatre Royal, then touring
balletLORENT |
Lighting Designer |
Choreographer: Liv Lorent |
||
| Dirty Nets | Theatre |
Live Theatre, Newcastle
|
Lighting Designer |
Director: Jeremy Herrin Set designer: Imogen Cloët |
||
| Homage to Catalonia | Theatre |
West Yorkshire Playhouse, then touring
Northern Stage, Teatre Romea, Bobigny Paris |
Lighting Designer |
Director: Josep Galindo Set designer: Neil Murray |
||
| Charlie's Trousers | Theatre |
Live Theatre, Newcastle
|
Lighting Designer |
Director: Max Roberts Set designer: Imogen Cloët |
||
| Medea | Theatre |
West Yorkshire Playhouse
|
Lighting Designer |
Director: Femi Elufowoju Jnr Set designer: Ruari Murchison |
||
| Keepers of the Flame | Theatre |
Live Theatre, Newcastle
RSC |
Lighting Designer |
Director: Max Roberts Set designer: Imogen Cloët |
||
| Cinzano and Smirnova's Birthday | Theatre |
Northern Stage |
Lighting Designer |
Director: Neil Murray Set designer: Neil Murray |
||
| Romeo and Juliet | Theatre |
York Theatre Royal, then touring
English Touring Theatre |
Lighting Designer |
Director: Stephen Unwin Set designer: Sara Perks |
||
| Bill Shakespeare's Italian Job | Theatre |
Gilded Balloon, Edinburgh
Cooperesque |
Lighting Designer |
Director: Malachi Bogdanov Set designer: Bruce French |
||
| Off Camera | Theatre |
West Yorkshire Playhouse
|
Lighting Designer |
Director: Femi Elufowoju Jnr Set designer: Joanna Parker |
||
| Who Put Bella in the Wych-Elm? | Opera |
Jubilee Hall, Aldeburgh, then touring
Almeida Aldeburgh Opera |
Lighting Designer |
Director: Cathie Boyd Set designer: Julia Bardsley |
||
| John Gabriel Borkman | Theatre |
Malvern Festival Theatre, then touring
English Touring Theatre |
Lighting Designer |
Director: Stephen Unwin Set designer: Neil Warmington |
||
| The Ball | Dance |
Site specific UK and European tour
balletLORENT |
Lighting Designer |
Choreographer: Liv Lorent |
||
| The Snow Queen | Theatre |
Newcastle Playhouse
Northern Stage |
Lighting Designer |
Director: Neil Murray Set designer: Neil Murray |
||
| Dealer's Choice | Theatre |
Salisbury Playhouse
|
Lighting Designer |
Director: Femi Elufowoju Jnr Set designer: Joanna Parker |
||
| Foyer | Theatre |
Leicester Haymarket
|
Lighting Designer |
Director: Richard Gregory Set designer: Simon Banham |
||
| Bob Downe - Brighter! Whiter! | Musical |
Assembly Rooms, Edinburgh, then touring
Karushi |
Lighting Designer |
Director: Mark Trevorrow |
||
| Bintou | Theatre |
Arcola Theatre
|
Lighting Designer |
Director: Sacha Wares Set designer: Miriam Buether |
||
| Noir | Theatre |
Newcastle Playhouse
Northern Stage and Live Theatre |
Lighting Designer |
Director: Max Roberts Set designer: Imogen Cloët |
||
| Pandora's Box | Theatre |
Newcastle Playhouse, then touring
Kneehigh Theatre and Northern Stage |
Lighting Designer |
Director: Emma Rice Set designer: Neil Murray |
||
| The Selfish Giant | Theatre |
Leicester Haymarket Theatre
|
Lighting Designer |
Director: Annie Wood Set designer: Imogen Cloët |
||
| A Billion Seconds | Theatre |
Toynbee Studios, then touring
Strathcona Theatre Company |
Lighting Designer |
Director: Ann Cleary Set designer: Amelia Pimlott |
||
| Abyssinia | Theatre |
Southwark Playhouse, then touring
Tiata Fahodzi |
Lighting Designer |
Director: Femi Elufowoju Jnr Set designer: Yukiko Tsukamoto |
||
| Three Wishes | Theatre |
Pleasance Theatre, Edinburgh
Karushi |
Lighting Designer |
Director: Erica Whyman Set designer: Naomi Wallace |
||
| The Tiger's Bride | Theatre |
Northern Stage |
Lighting Designer |
Director: Neil Murray Set designer: Neil Murray |
||
| The Selfish Giant | Theatre |
Northern Stage |
Lighting Designer |
Director: Annie Wood Set designer: Imogen Cloët |
||
| The Ghost of Garcia Lorca... | Theatre |
Gulbenkian Studio, Newcastle, then touring
Foolsyard |
Lighting Designer |
Director: Paul Phillips Set designer: Imogen Cloët |
||
| Tear from a Glass Eye | Theatre |
Gate Theatre / National Theatre Studio |
Lighting Designer |
Director: Erica Whyman Set designer: Soutra Gilmour |
| Contact method | Details |
|---|---|
| Mobile phone |
07976 441 407 |
| Email address | |
| Agent name |
Clare Vidal-Hall |
| Agent phone |
020 8741 7647 |
| Agent email | |
| Website |