| Show name | ALD Member | Type | Venue/Company | Creative Team | Opens | |
|---|---|---|---|---|---|---|
| The Land of Might Have Been | Jacob Gowler | Musical |
Buxton Opera Festival then Theatre Royal Norwich, then touring
Buxton International Festival |
Lighting designer: Jake Wiltshire Director: Kimberley Sykes Set designer: Nicky Shaw |
||
| The Land of Might Have Been | Jacob Gowler | Musical |
Buxton Opera Festival then Theatre Royal Norwich, then touring
Buxton International Festival |
Lighting designer: Jake Wiltshire Director: Kimberley Sykes Set designer: Nicky Shaw |
||
| Bloody Difficult Women | Jacob Gowler | Theatre |
Studio 3,Riverside Studios, Hammersmith
Cahoots Theatre Company |
Lighting designer: David Howe Director: Stephen Unwin Set designer: Nicky Shaw |
||
| La Cenerentola | Matt Haskins | Opera |
Bord Gáis Energy Theatre
Irish National Opera |
Director: Orpha Phelan Set designer: Nicky Shaw |
||
| The Enchanted Island | Jacob Gowler | Opera |
The Peacock Theatre, London
British Youth Opera |
Lighting designer: Mark Jonathan Director: Stuart Barker Set designer: Nicky Shaw |
||
| Madama Butterfly | Mark Jonathan | Opera |
Glyndebourne
Glyndebourne |
Director: Annilese Miskimmon Set designer: Nicky Shaw |
||
| Semele | Mark Jonathan | Opera |
Worsley
Garsington Opera |
Lighting designer: Mark Jonathan Director: Annilese Miskimmon Set designer: Nicky Shaw |
||
| Dead Man Walking | Mark Jonathan | Opera |
Royal Danish Opera, Copenhagen
Royal Danish Opera |
Lighting designer: Mark Jonathan Director: Orpha Phelan Set designer: Nicky Shaw |
||
| Madama Butterfly | Mark Jonathan | Opera |
Glyndebourne, then touring
Glyndebourne |
Director: Annilese Miskimmon Set designer: Nicky Shaw |
