| Show name | ALD Member | Type | Venue/Company | Creative Team | Opens | |
|---|---|---|---|---|---|---|
| 1984 | Will Burgher | Theatre |
Theatre Royal Bath, then touring
Theatre Royal Bath Productions |
Lighting designer: Paul Pyant Director: Lindsay Posner Set designer: Justin Nardella |
||
| Portia Coughlan | Guy Hoare | Theatre |
Almeida Theatre
Almeida |
Director: Carrie Cracknell Set designer: Alex Eales |
||
| The Vortex | Zoe Spurr | Theatre |
Chichester Festival Theatre
|
Director: Daniel Raggett Set designer: Joanna Scotcher |
||
| Sons of the Prophet | Luca Panetta | Theatre |
Hampstead Theatre
Hampstead Theatre |
Lighting designer: Jack Knowles Director: Bijan Sheibani Set designer: Samal Blak |
||
| The Contingency Plan | Guy Hoare | Theatre |
Sheffield Crucible Theatre
|
Director: Chelsea Walker & Caroline Steinbeis Set designer: Georgia Lowe |
||
| Cat on a Hot Tin Roof | Joshua Gadsby | Theatre |
Curve Theatre, Everyman & Playhouse, then touring
English Touring Theatre |
Director: Anthony Almedia Set designer: Rosana Vize |
||
| Faustus: That Damned Woman | Ryan Joseph Stafford | Theatre |
Lyric Hammersmith, then touring
Headlong |
Lighting designer: Richard Howell Director: Caroline Byrne Set designer: Ana Inés Jabares Pita |
||
| Equus | Jessica Hung Han Yun | Theatre |
Theatre Royal Stratford East, then touring
English Touring Theatre & Theatre Royal Stratford |
Director: Ned Bennett Set designer: Georgia Lowe |
||
| Loose Lips | Zoe Spurr | Theatre |
Stoke Newington Town Hall
The Big House |
Director: Sammy Glover Set designer: Frankie Bradshaw |
||
| The Importance of Being Earnest | Alan Valentine | Theatre |
Guildford Yvonne Arnaud, then touring
Original Theatre |
Director: Alastair Whatley Set designer: Gabriella Slade |
||
| Disco Pigs | Elliot Griggs | Theatre |
Mainstage, Irish Rep, New York City
Tara Finney Productions |
Director: John Haidar Set designer: Richard Kent |
||
| Wait Until Dark | Chris Withers | Theatre |
Devonshire Park Theatre, Eastbourne, then touring
Original Theatre Company |
Director: Alastair Whatley Set designer: David Woodhead |
||
| Disco Pigs | Elliot Griggs | Theatre |
Trafalgar Studios
Tara Finney Productions |
Director: John Haidar Set designer: Richard Kent |
||
| Death of a Salesman | Matt Haskins | Theatre |
Northampton Royal & Derngate |
Director: Abigail Graham Set designer: Georgia Lowe |
||
| The Sugar-Coated Bullets of The Borgeoisie | Elliot Griggs | Theatre |
Arcola Theatre
HighTide |
Director: Steven Atkinson Set designer: Lily Arnold |
||
| Yen | Elliot Griggs | Theatre |
Jerwood Theatre Upstairs, Royal Court
Manchester Royal Exchange / Royal Court |
Director: Ned Bennett Set designer: Georgia Lowe |
||
| Pomona | Elliot Griggs | Theatre |
National Theatre, then touring
Orange Tree Theatre Production |
Director: Ned Bennett Set designer: Georgia Lowe |
||
| Defect | Elliot Griggs | Musical |
ALWF Theatre, Arts Ed
Arts Educational Schools |
Director: Ned Bennett Set designer: Georgia Lowe |
||
| Yen | Elliot Griggs | Theatre |
The Studio, Royal Exchange, Manchester
Royal Exchange |
Director: Ned Bennett Set designer: Georgia Lowe |
||
| Pomona | Elliot Griggs | Theatre |
Orange Tree Theatre
Orange Tree Theatre Productions |
Director: Ned Bennett Set designer: Georgia Lowe |
||
| Superior Donuts | Marec Joyce | Theatre |
Southwark Playhouse
|
Director: Ned Bennett Set designer: Fly Davis |
||
| Three Men in a Boat | Alan Valentine | Theatre |
Yvonne Arnaud, Guildford, then touring
Original Theatre Company |
Director: Alastair Whatley & Craig Gilbert Set designer: Victoria Spearing |
||
| Out There | Alan Valentine | Musical |
Riverside Studios
Youth Music Theatre UK |
Director: Steven Dexter |
