Originally from Manila, Philippines, Cha See is a lighting designer for theatre, opera, dance, environmental performances and on-site installations in New York City. She recently worked on a New York Theatre Workshop production of the play Houseplant at the Fourth Street Theater. For reasons that she explains below, her lighting design necessitated a lot of green. Read on to see how she used three...
Lighting Designer Robinson Wilson allows the Rosco Color of the Week posts he sees on our Facebook page to inspire him to try new colors and color combinations in his work.
Designers at Lightswitch used several Rosco X-Effects LED Projectors to create realistic, simulated water effects that fully immerse the visitors inside a virtual aquarium.
Lighting Designer Cory Pattak designed a pair of custom glass gobos for a production of "1776." Those two gobos are now available to everyone because we recently added them to our library of standard gobos.
Lighting Designer, Al Crawford, designed a custom gobo for a gala he was designing. That pattern is now a part of the Rosco gobo library. Al shares the inspiration for his Crawford Leaf gobo design.
Lighting Designer Jane Cox shares her thoughts on “Color and Light," as well as a few of her lighting techniques after working on "Sunday in the Park with George" at the Guthrie Theater.
Lighting Designer Jimmy Lawlor shares the vibrant sunrise and sunset color palettes he used in his design for a production of "Picnic" at James Madison University.
Acclaimed lighting designer Susan Hamburger describes five different color-techniques she employs to enhance her designs for dance productions.
Lighting designer Declan Randall describes how he used color to create the past and present worlds of Nelson Mandela's ex-wife in "Winnie: The Opera."
Lighting designer Zach Burgess describes how he was able to use Roscolux color filters to bring the magical world of Narnia to life for a production of "The Lion, the Witch and the Wardrobe."