When is blue not blue enough? When you’re Tony and two-time Emmy-nominated lighting designer Mike Baldassari, the answer to that question was always “once the light dims down far enough – then it’s just a muddy brown.” Having worked on Broadway, feature films and TV specials, Mike had seen the vibrant blues he’d chosen for his lighting designs turn to mud as the light dimmed down time-and-time...
Lighting Designer Cory Pattak designed a pair of custom glass gobos for a production of "1776." Those two gobos are now available to everyone because we recently added them to our library of standard gobos.
Lighting Designer Jane Cox shares her thoughts on “Color and Light," as well as a few of her lighting techniques after working on "Sunday in the Park with George" at the Guthrie Theater.
Rosco's own Matt Pagliaro tells how he used Miro Cube 4C units to enhance his rock and roll lighting design for a community theatre production of "Rock of Ages."
Rosco's Margie Heymann shares her memories about legendary lighting designer Tharon Musser and the impact she had on stage lighting and on Rosco.
Lighting designer Zach Burgess describes how he was able to use Roscolux color filters to bring the magical world of Narnia to life for a production of "The Lion, the Witch and the Wardrobe."