Tim Routledge became one of the first production designers to specify GLP’s new versatile and supercharged Creos – part of a cornucopia of lighting that animated Florian Wieder’s coruscating set design at this year’s Eurovision Song Contest (ESC) in Basel. These washlights were joined in the designer’s toolkit by another newly released GLP fixture, in the shape of 12 MAD MAXX CW fat beam...
When lighting and set designer Morgan Evans was about to embark on his first tour with Jessie J, he chose a floor package largely based around GLP’s versatile impression FR10 Bar, each meter-long batten containing 10 powerful 60 W RGBW LED sources. As a design associate to celebrated LD Tim Routledge for the past two years, Evans is a product of the BRIT School – as, coincidentally, is Jessie J...