WL

White Light recently supplied the lighting and staging for a private view and celebration event at the V&A, ahead of the official reopening of the museum’s William and Judith Bollinger Jewellery Gallery. The centrepiece of the refurbished gallery is Queen Victoria’s sapphire and diamond coronet, which was purchased through the generosity of William & Judith, and Douglas and James Bollinger as a...

White Light has recently supplied the lighting equipment to West End Eurovision; an annual singing competition in which a range of West End shows compete against one another in a Eurovision-style contest in order to raise vital funds for the Make A Difference (MAD) Trust. The MAD Trust is an organisation which works with its partners to support HIV and AIDS projects both in the UK and Sub-Saharan...

White Light has recently supplied the lighting equipment for Ain’t Misbehavin’ which has recently opened at the Southwark Playhouse. Ain’t Misbehavin’ celebrates the legendary jazz musician Fats Waller and his energetic, exuberant and effervescent music. Set largely in the music halls of 1920s Manhattan, it is directed by Tyrone Huntley and features a lighting design by James Whiteside. James...

White Light has recently joined the Production Services Association (PSA), reaffirming the company’s commitment to the welfare of its freelancers. The PSA is the trade association for companies and individuals involved in the live event production industry. Its aim is to represent, improve, educate and develop the business of technical production for live events. This is achieved by pooling the...

White Light recently supplied the technical system to run all of the visual content on series two of The Russell Howard Hour. WL has a renowned reputation in the broadcast industry, having worked with Eurosport to deliver its record-breaking coverage of the Olympic Winter Games in PyeongChang last year, which won the IBC Innovation Award for its immersive LED mixed-reality studio. The company also...

Earlier this month, our team flew out to Frankfurt to attend Prolight + Sound: the international trade fair of technologies and services for entertainment, integrated systems and creation. As a company, it gives us the opportunity to see the latest technology as well as catch up with old friends and make new contacts. For those of you who were unable to attend, our Technical Director Dave...

White Light recently supplied the complete technical solutions for the EMEA Trading Conference at Old Billingsgate. This marks the 11 th consecutive year in which the company has been asked to work on the event. The EMEA Trading Conference is one of Europe’s largest one-day electronic trading events. It covers the most pressing issues facing the institutional trading community and provides a...

White Light has been named Employer of the Year at the Creative & Culture Awards 2019. The Creative & Cultural Skills showcase the individuals and organisations that have shown an outstanding commitment to skill development and learning in the creative industries. Having previously won the CC Skills Best Apprentice Employer in 2012 along with Best Collaboration with Education Providers in 2014, WL...

White Light recently provided the complete technical solutions for Borne to Dance – a fundraiser for the Borne Foundation which took place at the Royal Opera House. Borne is a medical research charity which aims to identify the causes of premature birth and develop new ways to prevent it. Borne to Dance, a signature fundraising event in Borne’s diary, took place on 19 th March and was hosted by...

White Light was recently asked to supply the lighting and rigging solutions for Sunrise: an immersive lighting project set within the Coventry Cathedral ruins to commemorate events from the Second World War. Over the night of 14th – 15th of November 1940, Coventry Cathedral was reduced to ruins following an enemy bombing. The morning after, the Dean stood in the destruction and declared the city...