News
This week, the world’s focus turns to Egypt where leaders of different nations come together to discuss the ever-growing issue of climate change and the ways in which we can create a global effort
4 years ago
Robe was the moving light of choice for the 2022 Saaremaa Opera Festival staged in a purpose-built tented arena erected beside the charismatic Kuressaare Castle in the south of Saaremaa Island, Est
4 years ago
Big concert tours were back in a big way this past summer and The Weeknd’s ambitious “After Hours til Dawn” outing is perhaps the best example.
4 years ago
Ask Davy Sherwin, Snow Patrol’s lighting designer for the past two decades, what three attributes a fixture needs to exhibit in order to earn a place in his tool kit, and he will probably reply: “C
4 years ago
THG has produced a shimmering glass sculpture environment, described as a ‘kinetic pavilion’ and crafted from more than 380,000 precision-cut Bohemian crystals, at the Galaxy Macau hotel and casino
4 years ago
Spike is an absurdly funny new play that delves into the inner workings of one of Britain’s most unique and brilliantly irreverent comedy minds.
4 years ago
The 256-capacity Concert Hall at the Hrvatski Dom in Split, Croatia’s second city and vibrant cultural hub, is enjoying new Robe T1 Profile moving lights as part of a technical investment that was
4 years ago
Design firm Darkroom Creative is handling lighting design, set design and video content for Walker Hayes’ “Glad You’re Here Tour” and has employed Elation Professional’s compact
4 years ago
Bayreuth, Germany, an epicentre of creativity and exploration in the world of opera, hosted its third Baroque Opera Festival
4 years ago
That sweeping, powerful, attention-grabbing searchlight effect that you see at a Hollywood movie premiere, or any number of high-profile events, has traditionally b
4 years ago
Old time country is in good hands with ACM and CMA award-winning singer/songwriter Jon Pardi whose classic country sounds on his “Ain’t Always the Cowboy Tour” are
4 years ago
When she set out to design George Ezra’s 2022 arena and festival lighting rig, production designer Cate Carter didn’t need to look much further than the GLP catalog to achieve the dynamic she was s
4 years ago
