| Show name | ALD Member | Type | Venue/Company | Creative Team | Opens | |
|---|---|---|---|---|---|---|
| What We Talk About When We Talk About Anne Frank [ Revival ] | Jacob Gowler | Theatre |
The Marylebone Theatre
Wild Yak |
Lighting designer: Sally Ferguson Director: Patrick Marber Set designer: Anna Fleischle |
||
| Ghost House | Ryan Day | Theatre |
The Pit at The Vaults
Matthew Keeler Productions |
Director: Andrew Twyman Set designer: Luke Robinson |
||
| Blue Door | Elliot Griggs | Theatre |
Ustinov Studio, Theatre Royal, Bath
|
Director: Eleanor Rhode Set designer: Madeleine Girling |
||
| Cat In The Hat | Zoe Spurr | Theatre |
Curve Theatre Leicester, then touring
|
Director: Suba Das Set designer: Isla Shaw |
||
| Boudica | Malcolm Rippeth | Theatre |
Shakespeare's Globe
|
Director: Eleanor Rhode Set designer: Tom Piper |
||
| Romeo and Juliet and 12th Night | Rachel Elizabeth Cleary | Theatre |
The Watermill Theatre, then touring
The Watermill Theatre |
Lighting designer: Tom White Director: Paul Hart Set designer: Katie Lias |
||
| These Trees Are Made Of Blood | Sherry L Coenen | Theatre |
Arcola Studio 1
Arcola Theatre |
Director: Amy Draper Set designer: Georgia Lowe and Alex Berry |
||
| The Grapes of Wrath | Joshua Gadsby | Theatre |
Nuffield Southampton, then touring
Nuffield Southampton Theatres |
Lighting designer: Nigel J Edwards Director: Abbey Wright Set designer: Laura Hopkins |
||
| Much Ado about Nothing | Chris Withers | Theatre |
ReFASHIONed Theatre, Selfridges
The Faction |
Director: Mark Leipacher |
||
| The First Man | Charlie Lucas | Theatre |
Jermyn Street Theatre
Jermyn Street Theatre |
Director: Anthony Biggs Set designer: Tim Dann |
||
| Julius Caesar | Tom E White | Theatre |
The North Wall, Oxford
OSD |
Director: Paul Hart Set designer: Bethany Seddon |
||
| These Trees Are Made Of Blood | Sherry L Coenen | Theatre |
The Little - Southwark Playhouse
Theatre Bench |
Director: Amy Draper Set designer: Georgia Lowe |
||
| Product, with Olivia Poulet, | Tom E White | Theatre |
Arcola Theatre Studio 2, London, then touring
Inside Intelligence |
Director: Robert Shaw Set designer: Gillian Argo |
||
| Private Peaceful | Tom E White | Theatre |
The New Ambassadors Theatre
NYT |
Director: Paul Hart Set designer: Verity Quinn |
||
| Pocket Merchant | Tom E White | Theatre |
Tunbridge Arts Centre, then touring
Propeller |
Director: Paul Hart Set designer: Michael Pavelka |
||
| Our Friends, The Enemy | Derek Anderson | Theatre |
The Surgeons Hall, Edinburgh
Robin Rayner and Theatre Bench |
Director: Tom O'Brien Set designer: James Hirst |
||
| The Physicists: Part 1 | Oscar Wyatt | Opera |
Riverside Studio 2
|
Director: Nina Brazier Set designer: Polly Webb-Wilson |
||
| Henna Night | Oscar Wyatt | Theatre |
The Pleasance Stagespace
Good Egg Theatre Company |
Director: Nina Brazier Set designer: Guiliana Scrimeri |
||
| Ordinary Lads | Gary Bowman | Theatre |
Etcetera Theatre
Miller Theatre Productions |
Director: Jake Hendriks Set designer: Olivia Altaras |
||
| S-27 | Gary Bowman | Theatre |
Finborough Theatre
Lifeboat Theatre in assoc. with Widsith |
Director: Stephen Keyworth Set designer: Olivia Altaras |
||
| Absolute Hell | Adam Povey | Theatre |
Embassy Theatre
Central |
Director: Peter McAlister Set designer: Gary Thorne |
||
| Paradise Lost | jP Bennett | Theatre |
Embassy Theatre
|
Director: Lily Susan Todd Set designer: Gary Thorne |
