| Show name | ALD Member | Type | Venue/Company | Creative Team | Opens | |
|---|---|---|---|---|---|---|
| Manor | Nina Dunn | Theatre |
Littleton Theatre - Royal National Theatre
|
Lighting designer: Jon Clark Director: Fiona Buffini Set designer: Lez Brotherston |
||
| The Seven Pomegranate Seeds | Malcolm Rippeth | Theatre |
Rose Theatre Kingston
|
Director: Melly Still Set designer: Melly Still |
||
| Oleanna | Will Burgher | Theatre |
Ustinov Studio, Theatre Royal, Bath, then touring
Theatre Royal Bath Productions |
Lighting designer: Oliver Fenwick Director: Lucy Bailey Set designer: Alex Eales |
||
| The Mirror Crack’d | Malcolm Rippeth | Theatre |
National Centre for the Performing Arts, Mumbai
|
Director: Melly Still Set designer: Richard Kent |
||
| Dear Elizabeth | Jessica Hung Han Yun | Theatre |
Gate Theatre
|
Director: Ellen McDougall Set designer: Moi Tran |
||
| My Brilliant Friend | Malcolm Rippeth | Theatre |
National Theatre - Olivier
|
Director: Melly Still Set designer: Soutra Gilmour |
||
| Breaking the Waves | David Butler | Opera |
Kings Theatre Edinburgh
scottish opera |
Lighting designer: Richard Howell Director: Tom Morris Set designer: Soutra Gilmour |
||
| Breaking the Waves | Neil Foulis | Opera |
Kings Theatre Edinburgh
scottish opera |
Lighting designer: Richard Howell Director: Tom Morris Set designer: Soutra Gilmour |
||
| Captain Corelli's Mandolin | Malcolm Rippeth | Theatre |
Harold Pinter Theatre
|
Director: Melly Still Set designer: Mayou Trikerioti |
||
| Captain Corelli's Mandolin | Malcolm Rippeth | Theatre |
Curve Theatre Leicester, then touring
Neil Laidlaw Productions, Rose Theatre Kingston & Birmingham Rep |
Director: Melly Still Set designer: Mayou Trikerioti |
||
| The Mirror Crack’d | Malcolm Rippeth | Theatre |
Salisbury Playhouse, then touring
Wales Millennium Centre & Wiltshire Creative |
Director: Melly Still Set designer: Richard Kent |
||
| The Model Apartment | Will Burgher | Theatre |
Ustinov Studio
|
Lighting designer: Ben Ormerod Director: Laurence Boswell Set designer: Tim Shortall |
||
| Touching The Void | James Harrison | Theatre |
Bristol Old Vic, then touring
Bristol Old Vic |
Lighting designer: Chris Davey Director: Tom Morris Set designer: Ti Green |
||
| Our Country's Good | Tom Mowat | Theatre |
Nottingham Playhouse, then touring
Nottingham Playhouse & Ramps on the Moon |
Lighting designer: Mark Jonathan Director: Fiona Buffini Set designer: Neil Murray |
||
| Our Country's Good | Mark Jonathan | Theatre |
Nottingham Playhouse, then touring
Nottingham Playhouse & Ramps on the Moon |
Director: Fiona Buffini Set designer: Neil Murray |
||
| My Brilliant Friend | Malcolm Rippeth | Theatre |
Rose Theatre Kingston
|
Director: Melly Still Set designer: Soutra Gilmour |
||
| Pink Mist | Peter Harrison | Theatre |
Bristol Old Vic, then touring
Bristol Old Vic |
Director: John Retallack and George Mann Set designer: Emma Cains |
||
| The Revenger's Tragedy | Mark Jonathan | Theatre |
Nottingham Playhouse
Nottingham Playhouse |
Director: Fiona Buffini Set designer: Neil Murray |
||
| Good Canary | Malcolm Rippeth | Theatre |
Rose Theatre Kingston
|
Director: John Malkovich Set designer: Pierre-François Limbosch |
||
| The Duchess of Malfi | Mark Jonathan | Theatre |
Nottingham Playhouse
|
Director: Fiona Buffini Set designer: Neil Murray |
||
| Time for the Good Looking Boy | Katharine Williams | Theatre |
Gulbenkian Theatre, Canterbury
Box Clever Theatre |
Director: Iqbal Khan |
||
| The Buzz | Katharine Williams | Theatre |
Schools tour, then touring
Box Clever Theatre |
Director: Michael Wicherek Set designer: Lucien Mansell |
