| Show name | ALD Member | Type | Venue/Company | Creative Team | Opens | |
|---|---|---|---|---|---|---|
| Imposter 22 | Stanley Olden | Theatre |
Royal Court Jerwood Theatre Downstairs
|
Lighting designer: Anna Watson Director: Hamish Pirie Set designer: Cai Dyfan |
||
| Who Killed My Father | Joshua Gadsby | Theatre |
Cumbernauld Theatre, then touring
Surrogate Productions |
Director: Nora Wardell Set designer: Blythe Brett and Hazel Low |
||
| Who Killed My Father | Joshua Gadsby | Theatre |
The Tron, Glasgow
Surragate Productions |
Director: Nora Wardell Set designer: Blythe Brett and Hazel Low |
||
| As British As A Watermelon | Phil Buckley | Theatre |
Switchflicker Productions |
Lighting designer: Phil Buckley Set designer: Michael Hankin |
||
| Changing Destiny | Jason Addison | Theatre |
Young Vic
Young Vic |
Lighting designer: Jackie Shemesh Director: Kwame Kwei-Armah Set designer: Sir David Adjaye and Adjaye Associates |
||
| Animal Farm | Zoe Spurr | Theatre |
NYT Theatre, then touring
National Youth Theatre |
Director: Ed Stamboullion Set designer: Jasmine Swan |
||
| Othello | Zoe Spurr | Theatre |
NYT Studio, then touring
National Youth Theatre |
Director: Miranda Cromwell Set designer: Rose Revitt |
||
| Fairview | Jessica Hung Han Yun | Theatre |
The Young Vic
|
Director: Nadia Latif Set designer: Tom Scutt |
||
| Ivan and the Dogs | Elliot Griggs | Theatre |
Young Vic Clare Studio
|
Director: Caitriona Shoobridge Set designer: Basia Bińkowska |
||
| Hive City Legacy | Jessica Hung Han Yun | Theatre |
RoundHouse, Camden, London
|
Director: Lisa Fa’alafi Set designer: Emily Harwood |
||
| We Raise our Hands in the Sanctuary | Marty Langthorne | Theatre |
Albany Theatre
Inky Cloak |
Director: Martin Moriarty & Daniel Fluvio Set designer: Ingrid Hu |
||
| As British As A Watermelon | Phil Buckley | Theatre |
Switchflicker Productions |
Director: Graham Clayton-Chance Set designer: Michael Hankins |